The story of this Easter Day that we read this morning, from the gospel of John, is actually one of four accounts, in the Bible, that tell the story. Each account tells a slightly different version of the story–not unlike La Mision, where everyone has their own twist on the chisme of the day!
Part of what I love about this story is that, in it, Mary Magdalene, one of Jesus’ closest companions, upon encountering him, doesn’t even know who he is. She thinks he is the gardener, of all things! I love it. Was he wearing his cut offs and black rubber boots? Is that why she thought he was the gardener?
Granted, to her credit, she did not expect to see Jesus walking around. She was looking for a dead guy, who was supposed to be in that garden tomb, behind a big rock. So, we can cut her a little slack that she didn’t, right off the bat, realize that it was Jesus that she was talking to.
In fact, even when he spoke to her, she still didn’t recognize him. He wasn’t what she was expecting.
“Woman, why are you crying?” he asked her. She heard his voice. But it was not until he called her by name, “Mary,” that her eyes were opened and that she could see that somehow, miraculously, it was actually Jesus standing there before her.
Last week I came back from Thailand. It was a long flight. I flew through Tokyo, on Al Nippon airlines. It just so happened that one of the movies that was playing was a Japanese film called Bread of Happiness.
Bread of Happiness is a story of a husband and wife who move from the big city of Tokyo to a remote rural area, really nowhere in particular, not necessarily a destination itself, but somewhere with a bus stop–a place that is more on the way to somewhere else than a place to head for its own sake.
The wife, Rie, has always dreamed of her soulmate–the perfect companion with whom to share her life, her dreams, her hopes for the future. But, instead, she’s got her husband, Sang. It is not that they are unhappy–but it is just not the dream that Rie had been imagining. It wasn’t the life she was expecting.
There, somewhat in the middle of nowhere, they open a cafe–a cafe in which, each day, each season, Sang bakes bread–a different type of bread, based on the season. As the two begin to carve out this life together, people seem to find their way to the cafe–a woman who has been dumped by her boyfriend, an elderly couple who plan to go there to die, a young girl who has lost her mom–and in the midst of the sharing of bread together, and the hospitality of Rie and Sang, the bread that is broken together begins to heal the brokenness of their lives.
Toward the end of the […]